让娜（玛利亚•施奈德 Maria Schneider 饰）穿行大街而过，来到一个旅馆，怪诞的服务员给了她一串空房间的钥匙。她开门而入发现已经有个中年男人在那里。简单交流后两人目光如炽，在空荡的房间里激烈地亲热。结束后安娜来到火车站接男友汤姆，汤姆正在拍摄电影，准备记下与女友恋爱的发展过程。此后让娜经常到那间公寓与中年男人约会。中年男人保罗（马龙•白兰度 Marlon Brando 饰）来自巴黎，出轨的妻子在不久前自杀，他十分痛苦。让娜试图了解保罗，向他敞开心扉，而保罗却一再拒绝她的窥探亦不希望了解她。汤姆向让娜求婚，让娜答应了。两人在选择婚纱时，让娜因汤姆重视拍摄效果冷落自己，冲进大雨找到保罗……

本片以中医药“安身之本必资于食，救疾之速必凭于药”的医养理念为创作主题，以春生、夏长、秋收、冬藏四季顺时养生和二十四节气为主线。以河南本土食材药材为素材，以河南厨艺煎炸溜炒烹，拌烧煮熬蒸为手段。以百姓日常生活入故事，以禅意音乐为背景，讲述中原药食同源文化。美食、美景、美服、美人，养心、养眼、养颜、养生。画面朴实唯美，每集选约十种可食用可入药，具有中原地域特色草本植物进行拍摄。挖掘药食同源文化，创新健康饮食方法。传播健康生活方式，提升健康素养水平。

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2017年，年轻旅人刘宸君、梁圣岳在尼泊尔健行，却因罕见风雪受困岩洞。当圣岳在第 47 天获救时，宸君已于 3 天前离世。这个曾轰动台湾的山难，对罗苡珊远不只是公共新闻。他原预计与两人会合，未料天人永隔。收到宸君遗书后，罗苡珊拿起相机走入山，面对宸君遗愿「活下来的人要说出这个故事」。但他透过观景窗直视的，却是另一座充斥歧路的内心之山。为了解决困惑，罗苡珊来到尼泊尔。渐渐地，他脚下道路与宸君当年旅途交叠，模糊了过去与现在、想象与现实，并通往同个目的地……

琳和雯是相依为命的亲生姐妹，姐姐琳温柔贤惠，妹妹雯热情奔放。琳无意中被卷入一场黑帮纠纷， 和黑帮老大杰一见钟情，然而杰已有娇妻，思想保守的琳不矢该如何处理这段感情，而杰也在思量着该如 何开发琳这片“处女地”，文却是个彻头彻尾的同性恋者，只有女人才能给他物所顾忌的高潮……文目睹姐姐和杰无动于衷，但有一天，她发现女友和一个男人勾搭 ，这让她无法忍受，他要让她爱的女人尝到苦果。

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In dem Film wird von den widersprüchlichen Seiten der Liebe und des Glücks erzählt.

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

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讲述1934年秋，红军北上抗日，开始撤离中央苏区。红五团出发之前，团长王大东写信告诉妻子——直属队指导员李冬梅，要她立刻与瑞金县委取得联系。由于怀孕而留在地方工作的冬梅．带着通讯员小妹子去县委途中，遇到六名也要去找县委的伤员，其中一些人不愿留在地方，主张追赶作战部队，与带队的陈排长争执起来。冬梅问明原委之后，向他们解释了在地方工作的意义，说服他们一同去找县委。到达目的地，才发现县委已经搬走。这时，国民党的炮火猛烈扑来，眼前的一切都被浓烟吞没。战士们在刚夺下的红旗面前，立下誓死不渝的革命意愿。县委交通告诉他们，县委已迁到火星栋。冬梅因临产，留在老四嫂家。陈排长带领伤员们到火星栋时，县委又转移了。于是，陈排长等人辗转在敌后活动，与冬梅失去了联系。冬梅同一些伤员组成游击队第三大队，夺取武阳镇，惩处了叛徒马家辉，不断打击敌人。游击队深入敌人心脏活动，把国民党保安团打得坐立不安。冬梅因长期与党失去联系，开展敌后工作很困难。一天，她偶然得到红军第一方面军与陕北刘志丹部会师的消息，立即召开党小组会，并派大光到福建寻找党。大光动身那天，国民党保安团孙主任派特务冒充我通讯员诱骗冬梅下山，使游击队遭到伏击。四中队得知三大队的情况后，立即作好营救三大队的部署，在水陆打击敌人，使三大队的同志安全脱离。这时，共产党驻赣州办事处主任王大东命小赵与冬梅联系，恰巧国民党也派人上山来会冬梅。他们看到小赵带来的中央有关国共谈判的重要指示，才了解国内的新形势。冬梅按照党的指示，以当地游击队代表的身份，与国民党进行谈判。 国共代表第一天在谈判席上的交锋，敌人不得不佩服李冬梅的出众才能。敌人并不甘心失败，他们要求冬梅留下，准备次日再进行谈判。当晚，国民党却偷袭了冬梅所率的游击队。陈排长从容应战，将来犯之敌一网打尽。第二天，冬梅在谈判席上谴责国民党破坏和平的行为，拒绝在谈判书上签字，被孙主任无理扣留。直至新四军代表王大东到达瑞金，冬梅在群众的声援下，才被释放。于是，他们夫妻得以相会。

据说该片的创作灵感来源于董润年的一个脑洞：“如果有一道神秘的光把一部分人抓走，社会的平静与法则被打破，我们该怎么办？” 在导演的脑洞中，光代表什么？为什么人会被光抓走？谁会被光抓走？留下来的人要怎么办？这一系列疑问未来都需要在片中得到解答。

经过厚生省官员白鸟圭辅（仲村亨 饰）和东城大学附属医院心理治疗内科的医生田口公平（伊藤淳史 饰）的全力奔走，日本终于引进了首台新型核磁共振成像（MRI）仪器“利维坦”。与此同时，某栋高级别墅地下室内，九人离奇死亡，其中则是厚生省中唯一支持白鸟引进利维坦的船桥审议官。高傲张扬的海归教授东堂文昭（生瀬胜久 饰）李勇刚组装好的利维坦查明死因，却也让白鸟对其产生怀疑。另一方面，在Ai中心举行研讨会前不久，田口收到一封威胁摧毁三头犬之塔——利维坦的恐吓信。在美丽记者别宫叶子（桐谷美玲 饰）的协助下，田口察觉这一系列事件很可能是对白鸟怀恨在心的樱宫堇（栗山千明 饰）所为。 时间一分一秒流逝，利维坦和Ai中心迎来吉凶莫测的关键时刻……©豆瓣